Compare Essay Example | Topics and Well Written Essays - 1250 words

Compare - Essay Example His paintings contain diligence, tenderness, expressions of the figures, the beauty of draperies and so on. He style Raffaello learned from Pietro when he was young was slight, dry and defective in design, and not being able to throw it off, he found it difficult to learn the beauty of nudes, and the method of difficult foreshortening of the cartoon of Michelangolo Buonattoty for the Hall of the Council at Florence. But with great effort, he managed to get rid of the Pietro’s style and reached Michelangolo’s which was full of difficulties. When Raffaello began to improve his style, he did not do it the way it should be done, but the way he saw his previous master Pietro do it, with natural grace. He compared the muscles of a dead men with those of the living. Later he realized how soft and fleshy parts should be made, the swelling, lowering and raising a part of the whole body, how the bones are composed, nerves and veins, and he became a master in all the parts, as any great painter should. However, in this area, he could not get close to the perfection of Michelangolo, and he realized that he does not necessary have to paint the nude figures, but that painting has a large field that he can fill out with good invention and order which deserves a great and skilled artist. He realized that he could enrich his works with variety of perspective, landscapes, a delicate and light treatment of the draperies, sometimes causing the figure to get lost in the darkness, and on the other hand, sometimes also to come into the clear light, making the figures more alive and realistic, making beautiful heads of women, children and old people endowing them with, for them, suitable movement. He also thought about how important is the flight of horses in the battle, as well as the courage of the soldiers, the knowledge of many kinds of animals, but most of all, the method of making men look more life-like when drawing portraits putting them into a relation with othe r things such as shoes, helmets, hair, beards, trees, caves, rain, clouds, night time, bright sun, fine weather, all kinds of hair styles, and all the other things that are the necessities of today’s painting. Realizing that he cannot be better than Michelangolo in some aspects, he did not imitate him, but tried hard to become the best in some other aspects, and in that way surpass Michelangolo. Having made this resolution and admitting that Fra Bartolommeo of S. Marso had a god painting method, solid design and coloring that is pleasant, although sometimes using shadows in a manner that is too free to obtain greater grief, Raffaello borrowed from him what he thought that would be useful for his own art. So he used a medium style in design and coloring and combined them with some of the best things of other masters. Furthermore, he formed one single style out of many that he borrowed from other painters, and that style was always considered as his own and even highly estimate d by other artists. Raffaello learned the Florentine method of a composition in depth with pyramidal figure masses, and also, he made use of Leonardo’s chiasoscuro(strong contrast between light and dark). Moreover, he was influenced by his sfumato (use of fine, soft shading istead of line to delineate forms and features). He went beyond Leonardo in creating new figure types whose gentle faces reveal typically human sentiments that are raised to